Thursday, September 21, 2017

The Reality of Digital Photography

Looking for something to blog about this week, I came across an article in Time magazine by Stephen Mayes that takes a critical, somewhat philosophical look at the future of photography.  With the arrival of digital technology, Mayes argues that much of what photography was and what its intent was is no longer true. 

The original character of photography as an objective record-keeper of the visual world has been replaced with the coming of digital photography and post-exposure editing capabilities like Photoshop.  The capabilities for manipulation of images both in-camera and on a computer that were not possible before the digital era tempt photographers and ultimately diminish the objectivity of photography.  Beyond this, however, Mayes points out that the digital camera itself inherently reduces the objective reality achieved by traditional photography, severing “the optical connection with reality, that physical relationship between the object photographed and the image that differentiated lens-made imagery and defined our understanding of photography for 160 years.”   Mayes explains that only one-third of the photons in an environment are recorded, meaning that two-thirds of an image is interpolated by the camera.  This, in effect, presents reality in a way that we have never really observed.


While I don’t disagree with Mayes on much of what he says, I think his article brings up an important distinction in photography.  As photographers, we must ask ourselves: Are we presenting our photography as a display of art or as a display of reality?  No matter what, the photographs can never be fully objective.  The very act of creating an image means that some amount of objectivity is lost, that some sort of interpretation of a scene has occurred and must occur again when viewing that image.  Yet, this was the case even before digital photography came on the scene.  Every photograph, no matter the manner in which it was obtained, gives a somewhat unreal, subjective view of reality.

Link to Stephen Mayes' "The Next Revolution in Photography is Coming:" http://time.com/4003527/future-of-photography/

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